CBAA Event+Opportunities Calendar

This calendar includes CBAA Events+Opportunities, Other Events, Workshops, Calls for Entry, and Openings. To submit a listing to this page, please email public_relations@collegebookart.org. There is no charge for listings, which will be updated within a week of submission. If possible, please include a .jpg of a logo or image to be included in the listing.

Upcoming events

    • 14 Oct 2024
    • 28 Jan 2025
    • Bennington, VT



    The Layered Laser Cut Workshop with Sarah Pike 
    January 28th - February 2, 2025

    Discover the art of laser cutting through layered imagery in this hands-on workshop. You'll gain experience operating a laser cutter, expand your creative possibilities by fine-tuning settings, and learn insider techniques for cutting paper and wood. You'll design three personalized projects using Inkscape: play with color in a layered paper design, craft a three-dimensional hand-colored shadow box, and transform your paper shadow box into a wooden box. While experience with programs like Photoshop or Procreate is strongly recommended, no laser-cutting experience is necessary.

    For more information: https://ncsw.org/laser-cutting

    • 14 Oct 2024
    • 07 Mar 2025


    Bound and Unbound VII: Altered Book Exhibition

    September 23, 2024-March 7, 2025-Call for Entries

    March 7, 2025-Deadline for entries

    April 7, 2025- Juror’s notifications sent

    June 9 – June 27, 2025 Works delivered to University Libraries

    August 25, 2025 – January 5, 2026
    Bound and Unbound VII: Altered Book Exhibition

    January 5, 2026 Exhibition closes

    For more information:  

    https://libguides.usd.edu/BU8 

    B_UVIII_Prospectus.pdf

    JUROR:
    Isobelle Ouzman is a British artist raised in Washington State, USA, now living and working in Europe. Ouzman graduated from Tacoma School of the Arts in 2010 and has been creating book art ever since, combining paper carving and illustration to create 3-dimensional stories within the pages of discarded novels, journals, and sketchbooks. Her altered books are a testament to the value of slow, purposeful work - gluing, carving, and illustrating through hundreds of pages over many weeks and months at a time. Her dedication to working with books stems from both her love for reading (from fairytales to psychology and everything in between) and her genuine connection to others through storytelling. She aims to highlight the value of books as an object, in addition to the transformative nature of narrative. Her work has been exhibited in the USA and Slovakia, featured in magazines such as Hi-Fructose, Colossal, and My Modern Met, and can be found in private collections worldwide. https://isobelleouzman.com 



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